THE REEL ROOM

De Reel Room - Mission Completed
WELCOME to the
PRIVATE LISTENING ROOM / REEL-TO-REEL PROJECT

A private page for registered listeners only !

Turn it up. Take your time. This is where the journey begins.

FUTUREWORLD ORCHESTRA · ORIGINAL RECORDING · 1982

- - MISSION COMPLETED - -

PRIVATE LISTENING · THE REEL ROOM
FWO
NOW PLAYING
TRACK 01
I'M NOT AFRAID OF THE FUTURE
1982 ORIGINAL MASTER STEREO
00:00 0000 00:00
1982
MASTER FWO
−20 −10 −7 −5 −3 −2 −1 0 +1 +2 +3 VU LEFT
RECORDED AT
DURECO STUDIOS
WEESP · HOLLAND
RECORDING CONSOLE
CADAC E-TYPE
40 CHANNEL · 32 BUS
−20 −10 −7 −5 −3 −2 −1 0 +1 +2 +3 VU RIGHT
TAPE POSITION 0%
MONITOR 80%
MISSION COMPLETED ORIGINAL 1982 ALBUM
ENGINEERS SYTZE GARDENIER · SANDER BOS
THE REEL ROOM
RECORDING CONSOLE CADAC E-TYPE · 40 CHANNEL · 32 BUS
FROM THE FWO ARCHIVES · 1982

INSIDE DURECO STUDIOS

THE RECORDING OF MISSION COMPLETED · WEESP · HOLLAND

In 1982, Futureworld Orchestra recorded Mission Completed at the professional
Dureco Studios in Weesp, Holland

This was an entirely different world from today's computer-based recording studios. Music travelled through microphones, analogue electronics and a large-format mixing console before being recorded onto magnetic tape. Tape machines were running, meters were moving, engineers were working behind a large console — and decisions made during a session really mattered.

At the heart of the Dureco control room was the CADAC E-Type, a substantial 40-channel, 32-bus inline console built by Clive Green in 1976. This was the console used during the recording of Mission Completed.

STUDIO Dureco Studios · Weesp
YEAR 1982
CONSOLE CADAC E-Type · 40-channel · 32-bus inline
MULTITRACK 2-inch · 24-track analogue tape
ENGINEERS Sytze Gardenier · Sander Bos

24 TRACKS OF ANALOGUE TAPE

Mission Completed was recorded on a professional 24-track analogue tape machine using 2-inch tape. Instead of seeing tracks as coloured blocks on a computer screen, the individual recordings physically existed next to one another across the width of the magnetic tape.

The exact make and model of the 24-track recorder used for the album has not yet been conclusively documented. One possible candidate is the legendary Studer A800 Mk III 2-inch 24-track recorder, a machine designed for exactly this kind of professional multitrack recording.

ARCHIVE NOTE
The Studer A800 Mk III is currently part of our historical reconstruction of the Dureco recording setup. Until original documentation confirms the machine used for the 1982 sessions, we regard the exact model as possible rather than established fact.

THE STUDER CONNECTION

We do know that Studer tape technology was present in the Dureco environment. A surviving Studer A80-R has been traced back to the former Dureco Studios, where it was reportedly used primarily for editing.

Whether that particular machine — or another Studer recorder — played a part in the final mix or master-tape stage of Mission Completed has not yet been established. That is one of the details of the original recording process we are still trying to reconstruct.

THE SOUND AROUND THE CONSOLE

Dureco was, of course, much more than a mixing desk and a tape recorder. The studio environment included professional microphones, compressors, equalizers, reverberation and effects equipment. Equipment associated with the historic Dureco and later E-Sound environment includes names such as Neumann, Schoeps, Sennheiser, UREI, EMT, Lexicon, Eventide and Orban.

Among the documented equipment are classics such as the UREI 1176, EMT 140 plate reverb, Lexicon 224 and Eventide H910, together with classic Neumann microphones including the U47, U67 and U87.

(Not every individual piece of this equipment has been confirmed as having been used specifically on Mission Completed. Where the original session documentation is incomplete, we prefer to keep that distinction clear.)

For us, entering Dureco meant entering the world of professional record making. We had written the music, but here it had to become a record.

There was something wonderfully physical about the whole process. Tape actually moved. Meters moved. Faders moved. You listened — and you made decisions.

More than forty years later, bringing Mission Completed back on real Reel-to-Reel tape therefore feels less like putting the album on a new format — and more like bringing it home.

ROBERT POT - Futureworld Orchestra
October 2026
INSIDE DURECO STUDIOS · THE EQUIPMENT

MORE THAN A CADAC

The CADAC console and 24-track tape machine were only part of the Dureco recording environment. The studio also contained an extensive collection of professional microphones, compressors, equalizers, reverberation and effects equipment.

Equipment documented as part of the historic Dureco and later E-Sound studio environment includes some of the classic names and machines of professional analogue recording.

DYNAMICS

UREI 1176 Rev D FET compressor / limiter
UREI LA-4 Optical compressor / limiter
Valley People Dyna-Mite Compressor · limiter · gate

EQUALIZATION

Orban 622B Parametric equalizer
CADAC Channel EQ Integrated analogue console equalization

REVERB & EFFECTS

EMT 140 TS Analogue plate reverb
Lexicon 224 Early professional digital reverb
Eventide H910 Harmonizer Pitch shifting · delay · special effects

MICROPHONES

Neumann U47 Large-diaphragm condenser microphone
Neumann U67 Large-diaphragm tube condenser microphone
Neumann U87 Large-diaphragm condenser microphone
Neumann M49 Classic tube condenser microphone
Neumann KM84 Small-diaphragm condenser microphone
Neumann U47 FET FET condenser microphone
Schoeps CMT 541 Condenser microphone
Sony C38B Studio condenser microphone
Sennheiser MD421 Dynamic studio microphone
Sennheiser MD441 Supercardioid dynamic microphone
Beyerdynamic M160 Ribbon microphone

TAPE & EDITING

24-Track Analogue Recorder 2-inch multitrack tape
Studer A80-R Professional tape / editing machine associated with Dureco
Studer A800 Mk III Possible 2-inch 24-track machine · not yet confirmed

STUDIO INSTRUMENT

Steinway Model D · 1933 Concert grand piano from the historic Dureco studio
AN IMPORTANT HISTORICAL NOTE

This is equipment documented in connection with the historic Dureco and later E-Sound studio environment. It should not be assumed that every item listed here was present in exactly this configuration in 1982, or that every piece of equipment was used during the recording of
Mission Completed.


Where we can specifically establish what was used for the album, we say so.
Where the original session documentation is incomplete, we prefer to leave the question open rather than turn a possibility into a fact.

Futureworld Orchestra - Turning Point album cover
AND THERE'S ANOTHER CONNECTION...

YOU'VE SEEN THE CADAC BEFORE

Turning Point, our second album, was also recorded at Dureco Studios in Weesp.

And there is a rather special piece of studio history hidden in plain sight on the album cover. The photograph used in the artwork shows the actual CADAC mixing console at Dureco — the same console that had already been at the heart of the recording of Mission Completed.

So this isn't a photograph of a similar vintage console added decades later for nostalgic effect. It is part of the real FWO story: the desk, the studio and the technology with which our music was made.

More than forty years later, the cover itself has become a small photographic document of the analogue world in which those first Futureworld Orchestra albums were created.

FUTUREWORLD ORCHESTRA · TURNING POINT · DURECO STUDIOS
BEYOND THE REEL ROOM

OTHER FWO MEDIA

The Reel-to-Reel project may become one of the rarest ways to own and experience Futureworld Orchestra.

But the music doesn't end here. Mission Completed and other FWO releases are also available on physical media — for those who still believe that music deserves something more tangible than a file or a stream.

CD DIGITAL · PHYSICAL
VINYL ANALOGUE · 12 INCH
COMPACT CASSETTE BACK ON TAPE

Different formats - Different experiences.
The same FWO music.