If you would like to obtain a license to use the Futureworld Orchestra music for your media project such as television programs, advertising campaigns, motion pictures and their trailers, video games, please request a quote here. We will get back to you shortly after checking the details.
Please be sure to read these guides BEFORE submitting your request. For general questions about licensing our music, please ask us via licensing@futureworldorchestra.com
Licensing Guide (Knowledge Base)
How to Deal with PRO
How to Deal with Performing Rights Organizations (PRO)
Here is the list of Publishing and Performing Rights Organizations (PRO) in alliance with JASRAC (Japan), with which we affiliate. We hope it helps you confirm the situations in your country to use our music for your project properly.
– Case 1 –
If the Organizations/Societies of your country are in alliance with JASRAC regarding Performance Rights and Mechanical Rights, please refer to these processes.
- Performance Rights License: If you want to use our music for public performance such as TV/Radio Broadcasting, Film, and live audience venue performances, please submit your Cue Sheet or public performance report to the Organization.
- Mechanical Rights License: If you want to use our music for phonorecords such as CD and any other media that includes audio alone, please explain your usage to the Organization and ask about the Mechanical License Fee (or Rate) BEFORE or AT THE SAME TIME you ask us for licensing.
If different Organizations handle Performance Rights and Mechanical Rights in your country (such as the United States) and you need to obtain both licenses, please contact both organizations along with your licensing situation.
– Case 2: No PRO –
If there is no single Performance Rights Organization in your country that is in alliance with JASRAC, unfortunately, you can not use our music for public performances. If you want to use our music for Synchronization usage ALONE (such as using music for web videos), you may contact and negotiate with us directly.
– Case 3: No Organization for Mechanical –
If there is no single Mechanical Rights Organization in your country that is in alliance with JASRAC, you will need to discuss the Mechanical license fee for your usage directly with us.
– Case 4: Synchronization License –
If you want to use our music for Synchronization usage ALONE (outside Japan), you can only contact us and discuss the Synchronization Fee and condition. However, if you consider additional licenses that include Performance or Mechanical Rights such as TV/Radio broadcasting or CD/DVD packages, please also refer to Case1-3 and take all necessary procedures.
Attention!: Master License
Regardless of licensing type (except for a cover song or MIDI/sheet music usage), you need to obtain permission for “Master License” DIRECTLY from us. If you are not familiar with music licensing, please refer to “How Music Licensing Works” on How Stuff Works page. At any rate, please be sure to choose your license type carefully and describe your project and usage as closely as possible on each quote page (see also “Licensing Guide” page).
If you have any questions about using out music for your project, please don’t hesitate to ask us also via the Contact page. We’re looking forward to working together!
-List of Publishing and Performing Rights Organizations in alliance with JASRAC –
Performance | ||
Mechanical | ||
Performance&Mechanical |
North America | United States | AMRA | Asia | Israel | ACUM | |||
APRS | India | IPRS | ||||||
ASCAP | Indonesia | KCI | ||||||
BMI | South Korea | KOMCA | ||||||
Harry Fox | Singapore | COMPASS | ||||||
SESAC | Thailand | MCT | ||||||
Canada | CMRRA | Taiwan | MUST | |||||
SOCAN | China | MCSC | ||||||
SODRAC | Turkey | MESAM | ||||||
Cuba | ACDAM | Philippines | FILSCAP | |||||
Costa Rica | ACAM | Vietman | VCPMC | |||||
Jamaica | JACAP | Hong Kong | CASH | |||||
Saint Lucia | HMS | Macau | MACA | |||||
Trinidad and Tobago | COTT | Malaysia | MACP | |||||
Barbados | COSCAP | Oceania | Australia | AMCOS | ||||
Mexico | SACM | APRA | ||||||
Europe | Iceland | STEF | New Caledonia | SACENC | ||||
Ireland | IMRO | French Polynesia | SPACEM | |||||
Albania | ALBAUTOR | South America | Argentina | SADAIC | ||||
United Kingdom | MCPS | Uruguay | AGADU | |||||
MRS | Colombia | SAYCO | ||||||
PRS for Music | Chile | SCD | ||||||
Italy | SIAE | Paraguay | APA | |||||
Estonia | EAU | Brazil | ABRAMUS | |||||
Austria | AKM | ADDAF | ||||||
Austro-Mechana | AMAR | |||||||
Literar-Mechana | ASSIM | |||||||
Netherlands | BUMA | SADEMBRA | ||||||
STEMRA | SBACEM | |||||||
Kazakhstan | KAZAK | SBAT | ||||||
Greece | AEPI | SICAM | ||||||
Georgia | SAS | SOCINPRO | ||||||
Croatia | HDS | UBC | ||||||
Switzerland | SUISA | Venezuela | SACVEN | |||||
Sweden | STIM | Peru | APDAYC | |||||
Spain | SGAE | Africa | Egypt | SACERAU | ||||
Slovakia | SOZA | Cameroon | CMC | |||||
Slovenia | SAZAS | Guinea | BGDA | |||||
Serbia | SOKOJ | Cote d’Ivoire | BURIDA | |||||
Czech Republic | OSA | Congo | BCDA | |||||
Denmark | KODA | Zimbabwe | ZIMURA | |||||
NCB | Senegal | BSDA | ||||||
Germany | GEMA | Central African | BUCADA | |||||
WORT | Tunisia | OTPDA | ||||||
Norway | TONO | Nigeria | MCSN | |||||
Hungary | ARTISJUS | Namibia | NASCAM | |||||
Finland | TEOSTO | Burkina Faso | BBDA | |||||
France | SACEM | Benin | BUBEDRA | |||||
SDRM | Madagascar | OMDA | ||||||
Bulgaria | MUSICAUTOR | Mali | BUMDA | |||||
Belarus | BELAT | South Africa | SAMRO | |||||
Belgium | SABAM | Mauritius | MASA | |||||
Poland | ZAIKS | Morocco | BMDA | |||||
SQN | ||||||||
Portugal | SPA | |||||||
Macedonia | ZAMP | |||||||
Moldova | ASDAC | |||||||
Latvia | AKKA/LAA | |||||||
Lithuania | LATGA-A | |||||||
Romania | UCMR-ADA | |||||||
Russia | RAO | |||||||
FAQs about Licensing Our Music
While we focus on so-called “Sync Licensing,” we handle a wide range of licenses for including, but not limited to these uses. We strongly recommend you take a look at Licensing Guide page as well to understand the basics of music licensing.
– Synchronization Uses –
Films
TV Programming (Shows, Documentaries, Dramas, News, etc.)
TV Advertising Campaigns (Commercials)
Film Trailers & TV Promos
Corporate Productions (Theater, Competition Video/Slide, etc)
Video Games and Software
Internet Websites, Webisodes, Flash
Products and Toys
Video Packages (Music for Video, DVD or CD-ROM)
– Non-synchronization Uses –
Radio Programming and Advertising Campaigns (Commercials)
Audio Projects
Music Compilation (CD, PC Audio)
Public Space (Live Events, Restaurants, Trade Shows, Retail Spaces)
Ringtones (Master/Pre-Recorded Ringtones)
Yes. All the tracks in our catalog have been registered to PRO/MRO regarding performing and mechanical rights. We Model Electronic own their master rights as well. We provide a one-stop resource so that we could serve your musical needs quickly and bring you a hassle-free license deal.
If your request involves a performance license such as a broadcasting use, you will need to submit a report/cue sheet and pay (or have someone pay) appropriate performing royalties. But don’t worry, we understand nuts and bolts of music licensing and could address the specific needs of your project.
Yes. Regardless of whether you advertise something in your video or not, monetizing through your video on video sharing websites such as Youtube and Twitch TV is supposed to be regarded as a profit-earning use, i.e. commercial use/license. You are required to contact us via License Form to obtain a license to use our music and pay the license fee. Please note that we don’t grant any license to use our pre-released tracks for a project whose music budget is very low (such as less than $100). Thanks for your understanding.
Unfortunately, our music license is not available for non-commercial, non-profit videos, and personal/private or student productions on any media. We handle only commercial licenses with a certain amount of budget. Please note that we don’t provide anyone formal authorization to use our music for free. When it comes to using our music for your “monetized (ad-driven)” Youtube videos, please refer to the Q3.
Any inquiries for these non-commercial uses will not be answered since we don’t have the resources to reply to all of them. Thanks for your understanding.
Yes. We can meet your needs by providing additional production and custom edits of our pre-existing tracks, but it would charge you extra fees in addition to the basic license fees. As we already have a lot of alternative mixes and edits/stems of our music, we will try to find out how we could do with them lest it should exceed the capacity of your budget.
As written on the Contact page, we don’t have a plan to hire outside composers at the moment.
As license fees vary according to how you use our music, we concluded that generalizing license rates and automating licensing process too much could work against our goal. We do not aim at being a “music delivery service” nor a “supermarket of music licensing” just to achieve as many placements as possible. Our priority is to offer a quality music licensing service with which we can discuss your needs, provide appropriate music at appropriate rates, and build a long-term relationship with our clients.
o avoid the complexity and possible troubles of sampling clearance and agreements, we basically don’t permit other artists to sample our master recordings for their new works (unless they work with experienced A&Rs and attorneys that can address the legal process and payment responsibly). This includes derivative works/acts such as singing or rapping a new song on any part of our masters, of course.
Please understand it and look for other easy-to-clear sampling sources. Thanks for your interest!
Reference: “When You Need Permission to Sample Others’ Music” (Nolo)
Feel free to ask us via the form below. We would appreciate your interest. Please note that we are not seeking (sub-)publishing deal and an exclusive representation.
Important Notes:
– Our music license is not available for non-commercial, non-profit videos, and personal/private or student productions on any media. Any inquiries for these non-commercial uses and gratis licenses will not be answered. We only handle commercial licenses with a certain amount of budget.
– To composers and musicians: this is NOT a form for you to send your request to have your music used for media projects. We do not accept any requests and demos from outside artists/composers and labels at the moment.
– Please contact us only with your legitimate company/business email address. We do not respond to applicants registering with free mail accounts such as Yahoo, Gmail, and Hotmail. Also, we don’t reply to any questions that are irrelevant to our music even if they are about music licensing.
(Updated in Oct, 2022) If you can not send a request via this form, please use this google form instead.
Thanks for your understanding. We appreciate your interest in our music!